Thursday, April 6, 2017

Nocturnal Witch - Into Dungeons EP (2012)

Blackened speed and thrash metal is one of my favorite niches in all of the genre these last couple years, but it relies so heavily on the traditions of its medium that it can be tough to pull off, requiring a certain level of nastiness, personality and catchy riffing to properly pay tribute to its forebears like Venom. To get that influence across without sounding like some sodden, soulless derivative is no easy feat, so I have to say I feel spoiled by how much of it I've been enjoying lately, from Antichrist and Deathhammer to Satan's Wrath and Erazor. Germans Nocturnal Witch seem to have all the hookups for a success at this style. Some of the live lineup is drawn from bands like Nocturnal, Old, Division Speed and Cruel Force, who all have comparable sounds, and they certainly grab the style by its roots here and give it a good tug, the old Satanic collegiate try.

Unfortunately, it bears little fruit on this EP, because Into Dungeons has all the trappings and none of the charisma to spot its spiked gauntlet, bullet-belted figure among the crowd in which it surfs. Cover looks cool, old school, band name is cool, logo cool, songs sound exactly like they should, but its the riffing pattern and lack of any dynamic force which drags this down. There's no real lack of hellish energy being executed, just a dearth of inspired tremolo picking riffs, or at least those you haven't heard a thousand times. Here, they launch from that rapid fire blackened/speed metal sound into some clamorous, even faster bits, and gang shouts erupt everywhere to fuel the momentum, but while it all looks good on paper, they feel like they're just playing by-the-numbers chord progressions which never take you by surprise. There are no good leads or other distractions to steer you away from this fundamental flaw, and the cuts feel thematically 'appropriate' but dry unless you're just seeking out more of the same pseudo-Satanic swill others have peddled for decades.

Drums and bass are efficient, vocals raucous blackened barks that seem enthusiastic but never really evil enough to compensate that it all seems like sheer testosterone, with little to back it up except the right intentions. The recording itself is fairly level, slightly raw but not obnoxiously so. All in all, if this were something I heard off in the background outside at some hell kegger in the woods, where you weren't allowed without a denim jacket or something leather on some part of your anatomy, then this would probably make for passable background noise, whether live or on someone's beat up beat box in which they were spinning a tape recording. Upon closer examination, however, there is just so much out in this field which has more character, better licks, leads, nastiness, viciousness, etc. Having also heard this band's full-length, Summoning Hell, I can say with confidence that you should skip this and head straight for that, because while it's still not exemplary for this style, it both sounds superior and is written better, with some genuinely good riffs and decent songs in spots.

Verdict: Indifference [5.25/10]

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